Andy and Terry are once again inviting readers to come hang out with them in their astonishing 39-story treehouse (it used to be 13 stories, then 26 stories, but they keep expanding). And this year they will have even more time to jump on the world's highest trampoline, toast marshmallows in an active volcano, swim in the chocolate waterfall, pet baby dinosaurs, and go head-to-trunk with the Tr…
New York Times bestselling author Andy Griffiths invites readers to come hang out with him and his friend Terry in their 65-Story Treehouse--the fifth book in the illustrated middle-grade series filled with Andy and Terry's signature slapstick humor Andy and Terry live in a 65-Story Treehouse. (It used to be 52 stories, but they keep expanding.) It has a pet-grooming salon, a birthday room w…
Andy and Terry live in a 78-story treehouse. (It used to be a 65-story treehouse, but they just keep building more levels!) It has a drive-thru car wash, a courtroom with a robot judge called Edward Gavelhead, a scribbletorium, a combining machine, an ALL-BALL sports stadium, a high-security potato chip storage facility, and an open-air movie theatre with a super-giant screen . . . which is a v…
seri ini menceritakan cara membuat benda-benda disekitar kita yang sudah sangat kita kenal. dari bahanmentah sapai selesai, tahap demi tahap dijelaskan secara sederhana dengan foto-foto dari mesin yang digunakan.
Screenwriting for micro-budget films can present its own challenges and this book takes the reader through all the considerations that need to be made to write an effective screenplay for a low-budget film. Drawing on his own experience, case studies from films such as Primer, Coherence and Reservoir Dogs, as well as the perspectives of working screenwriters such as Joe Swanberg and Alex Ros…
The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative …
I suppose I might call you Dear Mr. Girl-Hater. Only that’s sort of insulting to me. Or Dear Mr. Rich-Man , but that’s insulting to you. But at least you will stay tall all your life! So I’ve decided to call you Dear Daddy Long-Legs. I hope you won’t mind.